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The classic debate settled: should you write your website copy before designing, or design first? Here's what actually works for small businesses.
You’re planning a new website. You’ve got the budget sorted, found a designer you like, and now you’re stuck on the classic chicken-and-egg question: should you write your website copy first, or let the design lead?
It’s not a trivial decision. Get it wrong and you’ll end up with beautiful pages that say nothing, or brilliant words crammed into layouts that don’t fit. Neither converts visitors into customers.
Here’s how to think about copy vs design, what each approach gets right (and wrong), and what actually works for small businesses building websites that need to perform.
Before diving into the debate, let’s be clear about why this isn’t just designer navel-gazing.
Copy and design serve different functions:
When they work together, your website feels seamless. Visitors understand your offer within seconds, trust builds naturally, and clicking the contact button feels like the obvious next step.
When they’re misaligned, things fall apart. Either you’ve got gorgeous layouts with placeholder text that never gets replaced properly, or walls of brilliant copy squeezed into boxes that weren’t built for it.
The order you tackle them affects everything: timelines, costs, and ultimately, results.
The copy-first camp argues that words are the foundation. Design should serve the message, not the other way around.
Why writing first makes sense:
Your headline determines how much space you need at the top. Your testimonials determine how many quote boxes appear. Your service descriptions determine whether you need three columns or five.
When copy comes first, designers can build layouts around what you actually need to say. No guessing at headline length. No cramming long paragraphs into tiny cards designed for three-word snippets.
Writing forces you to articulate what your business does, who it helps, and why visitors should care. That clarity improves every decision downstream.
Many business owners discover they don’t actually know what their core message is until they sit down to write it. Working through copy first surfaces these questions before a designer spends hours on a layout that misses the point.
Knowing exactly what content exists forces more creative design solutions. A designer who knows you have four services, three testimonials, and a two-paragraph about section can craft something purposeful.
A designer working with “TBD” content ends up guessing. Those guesses rarely match reality.
When design wraps around existing copy, words and visuals feel integrated. Headlines sit naturally in their spaces. Descriptions fit their containers. Nothing looks forced or retrofitted.
The copy-first risk:
Copy written without any design context can become unwieldy. Writers might produce content that doesn’t translate well to web layouts: paragraphs that are too long, sections that don’t break logically, or word counts that bloat page length beyond what’s practical.
The design-first camp argues that web copy isn’t a novel. It exists within visual containers, and those containers should be defined before writing begins.
Why designing first makes sense:
Writing for print and writing for web are different skills. Web copy needs to work within cards, grids, heroes, and sections. Without knowing the layout, writers often produce content that doesn’t fit.
A designer who builds the structure first gives writers clear constraints: “This hero needs a headline under 10 words,” “Each service card has room for 50 words maximum,” “This testimonial box fits 150 characters.”
The design defines what visitors see first, second, and third. That hierarchy should drive copy priorities, not the other way around.
If the design places three benefit boxes below the hero, the copywriter knows to craft three punchy benefit statements, not a long-form manifesto. Structure shapes content.
Web design has established patterns that work. Hero sections, service grids, testimonial carousels, contact forms. These patterns exist because users understand them.
Starting with proven layouts means copy fits into frameworks users already know how to navigate. Writers work within familiar constraints rather than inventing new structures from scratch.
Seeing a draft layout early in the process helps business owners understand what they’re building. It’s easier to react to a visual mockup than a Google Doc.
Design-first gives clients something tangible to respond to. That feedback shapes both design refinements and copy direction.
The design-first risk:
Designing with placeholder text (the dreaded “Lorem ipsum”) often produces layouts optimised for fake content. When real copy arrives, it doesn’t fit. Headlines get truncated. Sections look cramped or awkwardly empty. The design needs rework.
Worse, placeholder text can survive into production. We’ve all seen live websites with “Your company tagline here” still sitting in the footer.
Here’s the truth neither camp likes to admit: the best results come from developing copy and design simultaneously.
Treating them as separate, sequential phases creates problems. The real skill is running them in parallel, with constant feedback between the two.
How the integrated approach works:
Before anyone writes a headline or opens design software, define the foundations:
This strategic clarity guides both copy and design. Writers know the message they’re crafting. Designers know the impression they’re creating. Both work toward the same goal.
How to structure a website that converts instantly covers this strategic foundation in detail.
Instead of finished copy followed by finished design, work in drafts.
Round one:
Both share their work. The designer sees what content exists. The writer sees how it will be organised. Adjustments happen while everything is still flexible.
Round two:
This back-and-forth continues until both elements feel integrated. No surprises when “real” content meets “final” design.
Smart designers wireframe with real content, not placeholder text. Even rough copy in a wireframe reveals problems that “Lorem ipsum” hides.
A 15-word headline that works in your head might overwhelm a hero section visually. A 200-word service description might need splitting across two sections. You only discover these issues when real words meet real layouts.
At Mapletree Studio, we don’t wait for polished copy before building. We work with whatever content exists, even rough bullets and half-finished sentences, to ensure design and copy develop together.
Whether copy leads or design leads, constraints help everyone.
Useful constraints for copy:
Useful constraints for design:
Setting these early prevents the “it doesn’t fit” problems that plague sequential approaches.
If you’re planning a website and wondering how to prepare, here’s what actually helps.
You don’t need polished copy, but you do need raw material.
Prepare these before contacting a designer:
This content gives both designers and copywriters something to work with. Even rough versions accelerate the process.
Waiting until every word is finalised before starting design wastes time. Your copy will change during the design process anyway.
Start with “good enough” content. Refine as you see it in context. The final version emerges through iteration, not isolation.
How to write copy for a one-page website walks through the writing process step by step.
Different designers have different processes. Some want all content upfront. Others prefer to design first and fill in content later. Many work collaboratively.
Ask before the project starts. Understanding the process prevents frustration on both sides.
At Mapletree Studio, we handle content collaboratively. You provide the raw material about your business, and we shape it into web-ready copy as part of the design process.
Whether you’re writing headlines yourself or briefing a copywriter, prioritise clarity.
Good: “Emergency Plumber in Burton: Available 24/7” Bad: “Flowing Solutions for Your Pipeline Dreams”
Clever wordplay might sound impressive, but it often confuses visitors. Say what you do, who you help, and what happens next. That clarity converts better than creativity.
Reading copy in a document feels different from seeing it on a live page. Always review your words in the actual design.
Headlines that seem punchy in isolation might feel aggressive on screen. Descriptions that read well in paragraphs might need bullet points in a sidebar. Visual context reveals what plain text hides.
Our process integrates both elements from day one. Here’s how a typical project works:
We start by understanding your business, audience, and goals. What makes you different? Who are you trying to reach? What action should visitors take?
This strategic foundation guides everything that follows. Copy and design decisions flow from these answers.
You provide the raw ingredients: business descriptions, services, testimonials, photos. We don’t need polished prose. We need the truth about your business in your own words.
If you’ve got existing copy you like, great. If you’re starting from scratch, we work with what you can provide and fill the gaps.
We design and write simultaneously. Structure emerges as content develops. Copy gets refined as layouts take shape.
You see real content in real layouts, not placeholder text in mockups. What you review is close to what goes live.
Final tweaks happen with everything in context. Headline too long? We adjust the words or the design. Section feels cramped? We simplify or expand. Nothing gets forced into a shape it doesn’t fit.
The result: websites where copy and design feel unified, not bolted together at the last minute.
What a Launch Package website actually includes breaks down exactly what’s covered.
Whichever approach you take, watch out for these pitfalls.
Web users skim. Long paragraphs and dense text don’t get read. Keep everything shorter than you think it needs to be.
Aim for:
Over 60% of visitors browse on phones. If your copy looks great on a 27-inch monitor but breaks on mobile, you’ve failed the majority of your audience.
Always review copy at mobile widths. Headlines that span two lines on desktop might become five lines on a phone. Design and write for small screens first.
“Lorem ipsum” and “Your tagline here” should never appear on a live site. But they do, constantly.
Work with real content from the start, even if it’s rough. Placeholder text hides problems and often survives into production.
Approving copy in a document, then approving design in a mockup, then combining them at launch is a recipe for misalignment.
Review content in context. See your words in the actual layout. Catch problems before they become expensive fixes.
You’re building a small business website, not launching a space shuttle. Perfect processes matter less than getting something live and iterating.
Start with good enough. Improve over time. Don’t let process debates delay progress.
Small business website mistakes and how to fix them covers more common pitfalls to avoid.
If you absolutely must choose:
Start with copy if:
Start with design if:
But ideally:
Work on both together. The best websites emerge from parallel development, not sequential phases. Copy informs design. Design shapes copy. They develop in conversation, not isolation.
At Mapletree Studio, we don’t make you choose. Our process integrates copy and design from the start, so you end up with a website that says the right things in the right way.
No placeholder text. No retrofitting content into mismatched layouts. Just clear, purposeful websites that convert visitors into customers.
If you’re planning a new site or rethinking an existing one, get in touch. We’ll talk through what you need and how we can help.
Perfection is achieved, not when there is nothing more to add, but when there is nothing left to take away.
Mapletree Studio specialises in minimal, high-performance websites that convert. Based in the Midlands, serving businesses across the UK.
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